Springtank’s latest album, “Dispersal,” is a vibrant collection that bridges various eras and styles of rock.
The second track on the album, “Played Out” is a prime example, blending elements of non-grunge 90s alt-rock reminiscent of Stabbing Westward and Collective Soul’s “Shine,” with a dash of 80’s Goth and the dark, brooding guitar work found in Type O Negative’s “Bloody Kisses.” You could even argue that it could have found a home on “The Crow” soundtrack. Does this album offer a little bit of everything? We think so but, let’s give you a little “quick and dirty” to whet the appetite:
The next track, “Counterfeit” poses the question: “What would happen if you mixed raw 90’s industrial with a swing beat, drizzling a little bit of ketamine on top?
The answer? A f-n vibe for sure….
You may say, “That’s great Uncle Fester but what about the vocals?”
:: lightbulb turns on in mouth ::
Yes, LET’s talk about the vocal work and other notable elements!
“Okay” opens with a 3-part harmony that would elicit a quick double-thumbs-up from any fan of the Beatles’ “Revolver” or “Rubber Soul”.
“Meet Me In Dresden” takes (what you may think is going to be) a heavy turn but ebbs between that and a chill beach-cruising feel. The chorus refrain (echoing the title) is just this side of anthemic and accomplishes a lot in about two minutes, and 30 seconds.
“Trust Fund Kid” manages to add all the aforementioned elements, while wearing a Robert Smith wig and lipstick. It’s a little “Cure” foundation (pun intended) with a lot of “Spring” in the tank, for a good summer ride (longer pun intended).
Are you craving new, no-brainer summer jams, and want to know more?
Check out the rest of the album for yourself.